Don’t miss George Hunka’s three-part interview with new music pianist Marilyn Nonken. Part one deals with issues of gender, the visual aspect of music performance, and authority; part two focuses on self-consciousness, aesthetic v. everyday perception, and the risks involved with playing a certain type of repertoire; and in the final part she discusses her experiences performing Morton Feldman’s Triadic Memories for both live audiences and in the static air of the recording studio.